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Rodney has interviewed the old man, her uncle; has told him of his great and lasting love for this pearl among women; has described in a very few words, and without bombast, his admiration for Mona; and Brian Scully (though with sufficient national pride to suppress all undue delight at the young man's proposal) has given a hearty consent to their union, and is in reality flattered and pleased beyond measure at this match for "his girl." For, no matter how the Irish may rebel against landlordism and aristocracy in general, deep down in their hearts lies rooted an undying fealty to old blood. The reproach is terrible, and cuts him to the heart. He picks up the poor little bruised flower, and holds it tenderly in his hand. "And Uncle Brian?" asks Mona, fearfully..

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"I mean that she shall remain just as she is. The world may be 'given to lying,' as Shakspeare tells us, but I will not have Mona tutored into telling fashionable falsehoods," says this intrepid young man facing his mother without a qualm of a passing dread. "A lie of any sort is base, and a prevarication is only a mean lie. She is truthful, let her stay so. Why should she learn it is the correct thing to say she is not at home when she is, or that she is suffering from a foolish megrim when she isn't? I don't suppose there is much harm in saying either of these things, as nobody ever believes them; but—let her remain as she is." "Why do you accuse me of such a desire?" asks he, paling beneath her indignation, and losing courage because of the unshed tears that are gleaming in her eyes. Soon after, the Raven Bearers held a dance. They all painted themselves nicely and wore their finest ornaments and each one tried to dance the best. Afterward some of them asked for this girl, but she said, "No." After that the Bulls, the Kit-Foxes, and others of the All Comrades held their dances, and many men who were rich and some great warriors asked this man for his daughter, but to every one she said, "No." To her it is an awful moment. Never before has she stood face to face with dissolution, to wait for the snapping of the chain,—the breaking of the bowl. "Neither the sun nor death," says La Rochefoucauld, "can be looked at steadily;" and now "Death's thousand doors stand open" to receive this man that but an hour agone was full of life as she is now. His pulses throbbed, his blood coursed lightly through his veins, the grave seemed a far-off destination; yet here he lies, smitten to the earth, beaten down and trodden under, with nothing further to anticipate but the last change of all..